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National Curriculum

Formative Assessment of Composing at KS3

Creativity is a “popular but heterogeneous word” (Gibson 2005) in current educational discourse.
Composing is creative act, and the National curriculum for music in the UK places a statutory
requirement on the teaching and learning of composing music for all pupils in schools up to age
14. The notion of creativity is to be found in many curricular contexts, some more dubious than
others, yet in the case of composing in schools we, as teachers, are asking our pupils to bring

Author name: 
Martin Fautley
Description: 


1: The extent to which teachers and student teachers feel themselves to be composers. I suspect that
despite all the innovations that have taken place in the music curriculum over the last thirty years
with composing supposedly being treated as of equal importance as performing and listening, there is
still the feeling that composing is something that only 'special' people do and consequently music
teachers are less likely to personally engage with it. This then has an impact on their
understanding of the processes of composing and their confidence in teaching it.

2: The extent to which we should intervene in children's composing. I know that we feel that we
ought to help pupils extend, develop or organise their ideas- that's what we're paid for and it
justifies our existence! Sometimes when listening to music I really enjoy, I put on my music
teacher's hat and think how I would respond to a particular tune or idea were it offered to me by a
pupil. In most cases I would advise them to develop or extend it and of course, in the process, ruin
it (second subject Schubert Quintet- just goes round and round, using limited notes. C- must do
better!) It might well be that we ought for most of the time just leave them alone unless
specifically asked to intervene.

3: I think you are absolutely right to say that we should focus on the process of composing. It's
probably also well worth getting children to understand that in many musical cultures/genres the
idea of a product (in terms of something fixed) is quite alien. This can be a quite liberating
thought!

Gary
gary.spruce July 15th, 2009

Learning to Teach the New National Curriculum for Music Dr Jonathan Savage, 2008: Senior Lecturer in Music Education

Summary

The new National Curriculum for Music presents a series of challenges and opportunities for learning how to teach music. In many ways, it reaffirms key principles of musical instruction that are well understood. But in other ways, it extends and develops new concepts in ways that will need further consideration and research to be fully implemented across Key Stage 3. This article reflects on some of the key changes before exploring, in relationship to a specific piece of new content, the implications for those engaged in initial teacher education.

Author name: 
Dr Jonathan Savage
Author photo: 
Resource image: 
Description: 

The new National Curriculum for Music presents a series of challenges and opportunities for learning how to teach music. In many ways, it reaffirms key principles of musical instruction that are well understood. But in other ways, it extends and develops new concepts in ways that will need further consideration and research to be fully implemented across Key Stage 3. This article reflects on some of the key changes before exploring, in relationship to a specific piece of new content, the implications for those engaged in initial teacher education.

Letter to Darren Henley on behalf of NAME

NAME has sent a letter to Darren Henley regarding his recent report on the National Curriculum Review. The letter in full is available to download here

NAME launches consultation on National Curriculum Review

NAME has established four Working Parties to lay the foundations for its response to the National Curriculum Review. Each Working Party is headed by leading figures in music education and will draw on research evidence as well as members’ expertise to prepare position statements for NAME.

Review of National Curriculum announced

The Secretary of State has announced a review of the National Curriculum in England. The review will consider the content and structure of the National Curriculum at both primary and secondary levels.

Launch of the National Curriculum Review

 
I have just returned from the Launch event of the review of the National Curriculum in England. Held at Twyford Church C of E High school in Acton.  NAME was invited to this launch as the main voice for music education in schools and as subject representative for Music.

A Response to the new Schools White Paper on Music in the Curriculum

The Importance of Teaching is the title of the Schools White Paper published on 24 November. A response to its proposals on music's place in the School Curriculum has been issued by NAME and is available to read by clicking here

Important Announcement on New Primary Curriculum and Key Stage 3

The new government has made the following important announcement about the future of the primary curriculum and about the revised level descriptors for Key Stage 3: 'The previous Government accepted recommendations put forward by Sir Jim Rose to implement a new primary curriculum from September 2011. Ministers announced on 7 June 2010 that the Government does not intend to proceed with the new primary curriculum.

Key Stage 3 Conference and South East Regional Meeting

Date: 
14 June 2010 (All day)
Venue: 
University of Reading
Venue address: 
Institute of Education University of Reading Bulmershe Court Earley Reading
Venue postcode: 
RG6 1HY
Booking tel: 
0118 378 8843
Booking email: 
musiceducation@reading.ac.uk

A one-day conference on aspects of the Key Stage 3 National Curriculum, including: 

  • The holistic approach - Jane Humbersone
  • Music cross-curriculum - Martin Sayer
  • Developing young song leaders - Ula Weber
  • Transition - Alison Daubney
  • Assessment and APP - James Garnett
  • Music Technology in the KS3 Classroom - Chris Calcutt

 This day will also include the summer term's regional meeting for the South East region.

Key Stage 3 Conference

A one-day conference on aspects of the Key Stage 3 National Curriculum will be taking place at the University of Reading on Monday 14 June. Sessions include:

  • The holistic approach - Jane Humbersone
  • Music cross-curriculum - Martin Sayer
  • Developing young song leaders - Ula Weber
  • Transition - Alison Daubney
  • Assessment and APP - James Garnett
  • Music Technology in the KS3 Classroom - Chris Calcutt

Further information from musiceducation@reading.ac.uk

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